Sharjah’s vibrant artistic landscape reveals the complex and multicultural roots that the broad term “Islamic Art” often oversimplifies—a term shaped by 19th-century Western scholars. This label can obscure the rich diversity and cultural exchanges inherent in these artistic traditions. Insights gained through the SAWA Museum Studies Program and collaborations in Sharjah highlighted the importance of moving beyond outdated labels to better represent the dynamic art of Southwest Asia and North Africa. These experiences underscored the need for community-focused curation that challenges simplified narratives and embraces the region’s multifaceted heritage.
Jasmin Holtkötter, 2024
My journey from Berlin to Sharjah has profoundly shaped my approach to curatorial work. Engaging with the SAWA Museum Studies Program and discussions with peers and experts in the field reinforced my belief that art curation must go beyond established frameworks to be inclusive and collaborative.
My experiences in Berlin and Sharjah highlight that we are still confronting the enduring impact of colonial legacies, which can only be addressed together.